{"id":6569,"date":"2024-05-11T09:26:23","date_gmt":"2024-05-11T07:26:23","guid":{"rendered":"https:\/\/lachouettediffusion.com\/portfolio-item\/the-solo\/"},"modified":"2024-10-22T17:07:54","modified_gmt":"2024-10-22T15:07:54","slug":"the-solo","status":"publish","type":"portfolio","link":"https:\/\/lachouettediffusion.com\/en\/portfolio-item\/the-solo\/","title":{"rendered":"The Solo"},"content":{"rendered":"

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On tour \u2022 Created in 2021<\/span><\/h4>

The Solo<\/span><\/h3>

Lucie Yerl\u00e8s & Gaspar Schelck [Be]<\/span><\/h4>
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Circus conference<\/span><\/h6>[vc_column_text css=”.vc_custom_1670917091391{margin-bottom: 20px !important;}”]The Solo<\/em> presents itself as a hybrid form, navigating between a circus performance and a corporal conference.<\/p>\n

Oscillating between popular science and spectacle, The Solo<\/em> explores one\u2019s relation to emotions during a circus performance.<\/p>\n

Circus is a vector of strong and shared emotions. Why is that so? Why is it that the public enjoys watching an artist taking so many risks? What is it that creates empathy between the audience and the circus performer?<\/p>\n

Based on social psychology and neuroscientific theories and on her aerial silk expertise, Lucie Yerl\u00e8s seeks to deconstruct the particular relationship that is built between the audience and the artist during the show.[\/vc_column_text][\/vc_column][vc_column width=”1\/3″ rc_link_color=”primary-1″ rc_link_hover_color=”primary-2″ tablet_sm_width=”1″ grve_css=”{“desktop“:{“border-top“:1,“border-right“:1,“border-bottom“:1,“border-left“:1,“border-top-left-radius“:“8“,“border-top-right-radius“:“8“,“border-bottom-right-radius“:“8“,“border-bottom-left-radius“:“8“,“padding-top“:“25“,“padding-right“:“20“,“padding-bottom“:“20“,“padding-left“:“20“,“border-color“:“#fc520f“,“border-style“:“dotted“,“class“:“grve-wpb-1670838323994“}}”]

Contact<\/span><\/h3>[vc_column_text css=”.vc_custom_1670917115481{padding-bottom: 30px !important;}” text_style=”small-text”]cecile@lachouettediffusion.com<\/span><\/a>[\/vc_column_text]
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Meeting room<\/h6><\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″]
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8+<\/h6><\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner padding_bottom_multiplier=”1x”][vc_column_inner width=”1\/2″]
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FR\/EN<\/h6><\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″]
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60 mn.<\/h6><\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner padding_bottom_multiplier=”1x”][vc_column_inner width=”1\/2″]
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8 x 6 m. min.<\/h6><\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″]
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6 m. min.<\/h6><\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner padding_bottom_multiplier=”1x”][vc_column_inner width=”1\/2″]
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12h<\/h6><\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″]
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100 - 500<\/h6><\/div><\/div>[\/vc_column_inner][\/vc_row_inner]
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Downloads<\/span><\/h3>
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Dossier<\/h6><\/div><\/a><\/div>
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HD Photos<\/h6><\/div><\/a><\/div>
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Text & credits<\/h6><\/div><\/a><\/div>
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Technical rider<\/h6><\/div><\/a><\/div>
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Pedagogical file<\/h6><\/div><\/a><\/div>
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Press review<\/h6><\/div><\/a><\/div>[\/vc_column][\/vc_row][vc_row padding_bottom_multiplier=”2x” columns_gap=”15″ tablet_columns_vertical_gap=”15″ tablet_sm_columns_vertical_gap=”15″ mobile_columns_vertical_gap=”15″][vc_column width=”1\/2″ tablet_width=”7-12″ tablet_sm_width=”2-3″]

Credits<\/span><\/h4>[\/vc_column][vc_column width=”1\/2″ vertical_content_position=”bottom” text_align=”right” tablet_width=”5-12″ tablet_sm_width=”1-3″ mobile_text_align=”left” rc_font_color=”#ff5216″][\/vc_column][vc_column]
<\/div><\/div>[\/vc_column][vc_column][vc_column_text text_style=”small-text”]Conception<\/span> Lucie Yerl\u00e8s et Gaspar Schelck Interpr\u00e9tation<\/span> Lucie Yerl\u00e8s Light design<\/span> Gaspar Schelck Sound design<\/span> K\u00e9lian Christophe Costume design<\/span> Margaux Vandervelden Dramaturgical look<\/span> Lorette Moreau Choregraphic look<\/span> Leslie Mann\u00e8s Sound management<\/span> Victor Petit Benevolent collaborators <\/span>Lauryn Turquin Lisa Choucroun, Agathe Meziani, O<\/span>en Boneh Production and distribution manager<\/span> C\u00e9cile Imbernon \u2013 La chouette diffusion With the financial support of:<\/span> F\u00e9d\u00e9ration Wallonie Bruxelles \u2013 service Cirque, rue, arts forains Aide \u00e0 la cr\u00e9ation et bourse : Un futur pour la culture, WBI, WBT\/D, COCOF Coproduction<\/span> Maison de la culture de Tournai (Be) | MARS \u2013 Mons Arts de la sc\u00e8ne (Be) Residencies and support <\/span>Maison de la cr\u00e9ation (Be), La Roseraie (Be), Latitude 50 (Be), Ecole Nationale de Cirque de Ch\u00e2tellerault (Fr), Le Palace – Maison culturelle d\u2019Ath (Be), Centre Culturel du Brabant Wallon (Be), le Monty (Be), Archipel 19 (Be), Up Circus & Performing Arts (Be) et le Centre culturel Wolubilis (Be) dans le cadre du dispositif au cube, Centre culturel d\u2019Uccle (Be), le LookIN\u2019OUT (Be), Aires Libres[\/vc_column_text][\/vc_column][\/vc_row][vc_row padding_bottom_multiplier=””][vc_column]