Käpälin
wood & juggling
premiere June 2023
indoors & outdoors // without words // for all ages
KÄPÄLIN (« by hand » in Finnish ) is a contemporary circus performance which fuses woodworking with the world of juggling. In the performance Jeromy Nuuk combines his two main professions as a furniture maker and circus artist. Using a wood lathe, Jeromy creates his own juggling balls from wood, whilst discovering that everything in the “workshop” can potentially be used to fuel his love of throwing things into the air (and catching them again).
This 50 minute solo performance will take place on a small circular wooden stage, surrounded by rustic work lights. From wooden logs to tools such as axes, chisels and power tools the piece will demonstrate how the wooden element and juggling act in an almost unexpected symbiotic nature. This gritty performance which encompasses the true essence of a worker’s blood, sweat and tears, is beautifully accompanied by musical compositions derived and inspired by wood.
Concept : Jeromy Nuuk & Liisa Nuuk / Performance : Jeromy Nuuk / Directing : Liisa Nuuk / Outside eye : Vincent Bruyninckx & Adam Opus / Juggling outside eye : Luis Sartori Do Vale / Supported by: Arts Promotion Centre Finland (Taike), Pro Helvetia – Swiss Arts Council / Residencies : Station Circus, UP – Circus & Performing Arts, La Roseraie – Espace Cré-Action, Centre Culturel d’Engis
Contact : Chantal Heck
Technical rider
Duration : 50 minutes
Stage : 7 x 7 m
Minimum height : 4 m
Set up: 3h
Take down: 1h
Audience: max 200
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His work, but also Jesse himself, embodies a message of hope that our society needs: a life is not defined by one’s limitations but by how one faces his obstacles.
Jesse’s story is very impressive, but his new production contains more then his personal story. In a period in which mankind is literally and figuratively gasping for air A 2 mètres will be a fresh breeze, a performance of hope.
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Jesse, a CF patient from Edegem (BE), will make an extraordinary acrobatic performance. ‘A deux mètres’ it is called. These two meters refer to the oxygen tube of two meters he has to carry.
But it is also the mandatory distance that we have to maintain from each other to prevent viral or bacterial cross contamination. For Jesse it is also a physical challenge.
Between dance, acrobatics and juggling, in balance between rivalry and cooperation, each one crosses the other’s gestural universe, pushing him/her towards more synchronized movements. Carried by a minimalist percussive music, the two artists then draw a plastically perfect choreography.
For the spectator the magic works! Young spectators, mature enough not to be frightened, can see this journey with its sometimes squeaky soundtrack, populated by dancing spectres and androgynous figures emerging from cupboards. With humor often called for, but also archetypal childish fears, omnipresent, which transport us. This distorted reality, absolutely fascinating, lets us tell ourselves stories: waking dreamers, to be seen!
A moving and innovative piece of contemporary circus, I applaud À Nos Fantômes for its beauty and its depth. Dark and yet comical, this piece – much like its protagonist – is two sides of an ever-turning coin.
The performance was a wonderful and entertaining experience, with incredible feats of acrobatics, juggling and coordinated skills.
A moving and innovative piece of contemporary circus, I applaud À Nos Fantômes for its beauty and its depth. Dark and yet comical, this piece – much like its protagonist – is two sides of an ever-turning coin.
The tableaux follow one another, framed as closely as possible by a work on sound and lighting. Dressed in an eloquent soundtrack, the young women run up, graze the ground, embrace eternity and grab us. At the limit of flight, they explore this fleeting state of floating, an inexhaustible space for research. All in grace. This circus is an incredible cinematographic ballet of beauty.
Célia Casagrande-Pouchet and Sarah Devaux take us to the confines of adult tales. Between dream and reality, absurdity and anguish, a remarkable show.
…] The young women dash out, graze the ground, embrace eternity and grab us. At the limit of flight, they explore this fleeting state of floating, inexhaustible space of research. All in grace. This circus is a hallucinating cinematic ballet of beauty.
For a long time, it inhabits you, it haunts you. Love, glory and beauty: nothing like it to feel alive!
No cultural or linguistic borders here, just human, sensitive, visual. The show played internationally. If you see it programmed somewhere, I can only encourage you not to miss the opportunity to dive into this universe of performances and mixed emotions.
A successful and clearly mastered artistic proposal.
A physical ballet, but also poetic, will then lead the two men to touch and graze each other.
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The images follow one another, with their share of aerial acrobatics, steps over the void and extending balances. Unheard-of bounces on the surface of this random mirror.
The circus arts infuse the piece, in a dimension never seen before, so new is the inclusive lan-gage of Lapsus.
An explosive show with subtle light effects, which combines juggling, acrobatics on the ground, hand to hand and unicycle. The Lapsus Company offers a performance that reminds us of pieces such as Oh les beaux jours or En attendant Godot.
Sometimes, in a soft light, around fragile eggshells that looked like dead leaves, the troupe created a beautiful feeling of melancholy, bringing us back to our childhood memories, to those days when our simple (but much less virtuoso) games filled us with happiness
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The stage had become a playground for all the human dimensions: friendship, love, group behavior, and the pleasure of being together. The show was like a moment of grace, even a fusion with a very enthusiastic audience who applauded them warmly.
Being able to connect with the innocence, beauty and courage of childhood is a truly precious experience.
The couple work in perfect harmony and end up combining their skills in an artistic and beautiful way.
The whole show is a refreshing and uplifting cool breeze, a spritzer for the soul.
The performance was a wonderful and entertaining experience with incredible feats of acrobatics, juggling and coordinated skills.
Company
Hands some Feet [Fi-Aus]
Liisa Nuuk (FI)
From the land of forests, lakes and Nokia phones, Liisa graduated from École Supérieure des Arts du Cirque “ESAC” in spring 2016 and has since collaborated with various companies such as Cirque Éloize, Cirkus Zorba and Cirque Rouages, Cirque Galapiat and Cie des Chaussons Rouges. She also performs at several prestigious events such as the Paris 2017 fashion week. Liisa is also a bit of a fashion freak and loves geometric jewellery, cute cats and Sunday brunches.
Jeromy Nuuk (AUS / CH)
Born and raised in Australia by his Swiss parents, Jeromy grew up with the best of both cultures. Barbecue on Saturday and fondue on Sunday. After graduating from ESAC in the spring of 2017, Jeromy joined the circus company 15feet6. He multiplies juggling performances and performs in many shows and festivals. Jeromy is crazy about bananas and can be mistaken for a monkey.
From the same company, see also: Hands some Feet
