Drache nationale
Jonglage & théâtre
Création printemps 2023
Spectacle tout terrain (rue, salle) – en français, néerlandais ou anglais- tout public à partir de 6 ans
« Drache nationale » is a « popular name given to the heavy rain that sometimes falls on Belgium on the national holiday ». 2020 was full of twists and turns… Like a feeling of waking up every day under the « Drache nationale »… So… How to stay positive when everything sucks?
Tom, Gaëlle and Denis will answer this question in a sensitive and playful way with the conviction that it is in human relations that part of the antidote can be found. In Drache Nationale, there may be juggling, clowning, k-ways, rain and Hollywood effects with two times nothing. This show will be a wink to to the little light in the darkness to the smile under a national flag to the beautiful in the rotten.
Distribution : De et avec : Tom Boccara, Gaëlle Coppée, Denis Michiels | Coach, mise en scène : Bram Dobbelaere | Conseils artistiques et dramaturgiques : Gaël Santisteva | Conseils en jeu clownesque : Christine Rossignol-Dallaire et Carina Bonan | Création lumière : Thibault Condy | Costumes : Héloïse Mathieu | Diffusion & production : Chantal Heck – La chouette diffusion ● Une production de la cie Scratch ● Coproductions et résidences Maison de la Culture Tournai (BE) | Perplx, Kortrijk (BE) | Latitude 50 – Pôle des Arts du Cirque et de la Rue, Marchin (BE) | UP Circus & Performing Arts, Bruxelles (BE) | Festival International des arts de la rue de Chassepierre (BE) | Centre Culturel Wolubilis, Bruxelles (BE) | CCBW- Centre Culturel du Brabant Wallon, Court-Saint Etienne (BE) | Archipel 19- Centre culturel de Berchem-Sainte-Agathe et de Koekelberg (BE) | Centre Culturel d’Uccle (BE) | La Batoude, Beauvais (FR)
Contact : Chantal Heck
Fiche technique
Duration : Environ 50 minutes
Space : 10x6m
Minimum height : 4m
Audience : max 300
His work, but also Jesse himself, embodies a message of hope that our society needs: a life is not defined by one’s limitations but by how one faces his obstacles.
Jesse’s story is very impressive, but his new production contains more then his personal story. In a period in which mankind is literally and figuratively gasping for air A 2 mètres will be a fresh breeze, a performance of hope.
Cystic fibrosis patient makes extraordinary acrobatic performance ‘A deux mètres”
Jesse, a CF patient from Edegem (BE), will make an extraordinary acrobatic performance. ‘A deux mètres’ it is called. These two meters refer to the oxygen tube of two meters he has to carry.
But it is also the mandatory distance that we have to maintain from each other to prevent viral or bacterial cross contamination. For Jesse it is also a physical challenge.
Between dance, acrobatics and juggling, in balance between rivalry and cooperation, each one crosses the other’s gestural universe, pushing him/her towards more synchronized movements. Carried by a minimalist percussive music, the two artists then draw a plastically perfect choreography.
For the spectator the magic works! Young spectators, mature enough not to be frightened, can see this journey with its sometimes squeaky soundtrack, populated by dancing spectres and androgynous figures emerging from cupboards. With humor often called for, but also archetypal childish fears, omnipresent, which transport us. This distorted reality, absolutely fascinating, lets us tell ourselves stories: waking dreamers, to be seen!
A moving and innovative piece of contemporary circus, I applaud À Nos Fantômes for its beauty and its depth. Dark and yet comical, this piece – much like its protagonist – is two sides of an ever-turning coin.
The performance was a wonderful and entertaining experience, with incredible feats of acrobatics, juggling and coordinated skills.
A moving and innovative piece of contemporary circus, I applaud À Nos Fantômes for its beauty and its depth. Dark and yet comical, this piece – much like its protagonist – is two sides of an ever-turning coin.
The tableaux follow one another, framed as closely as possible by a work on sound and lighting. Dressed in an eloquent soundtrack, the young women run up, graze the ground, embrace eternity and grab us. At the limit of flight, they explore this fleeting state of floating, an inexhaustible space for research. All in grace. This circus is an incredible cinematographic ballet of beauty.
Célia Casagrande-Pouchet and Sarah Devaux take us to the confines of adult tales. Between dream and reality, absurdity and anguish, a remarkable show.
…] The young women dash out, graze the ground, embrace eternity and grab us. At the limit of flight, they explore this fleeting state of floating, inexhaustible space of research. All in grace. This circus is a hallucinating cinematic ballet of beauty.
For a long time, it inhabits you, it haunts you. Love, glory and beauty: nothing like it to feel alive!
No cultural or linguistic borders here, just human, sensitive, visual. The show played internationally. If you see it programmed somewhere, I can only encourage you not to miss the opportunity to dive into this universe of performances and mixed emotions.
A successful and clearly mastered artistic proposal.
A physical ballet, but also poetic, will then lead the two men to touch and graze each other.
And so it is that several moments follow one another where the imagination is nourished by poetry, dreamlike and sophisticated sequences that highlight both the individual physical performance and the fluidity of certain collective choreographies of these circus artists who populate or haunt, it is according to, the ramblings and other mental escapes of the sleeping beauty … a world where it is not surprising to see incredible kites flying in all directions, unicycles in goguette, random juggling, athletic lifts, slender pyramids or perilous voltiges …
The images follow one another, with their share of aerial acrobatics, steps over the void and extending balances. Unheard-of bounces on the surface of this random mirror.
The circus arts infuse the piece, in a dimension never seen before, so new is the inclusive lan-gage of Lapsus.
An explosive show with subtle light effects, which combines juggling, acrobatics on the ground, hand to hand and unicycle. The Lapsus Company offers a performance that reminds us of pieces such as Oh les beaux jours or En attendant Godot.
Sometimes, in a soft light, around fragile eggshells that looked like dead leaves, the troupe created a beautiful feeling of melancholy, bringing us back to our childhood memories, to those days when our simple (but much less virtuoso) games filled us with happiness
This club of six doesn’t hesitate to take up the foundations of the circus, without seeking innovation at all costs, without seeking performance at all costs. It sounds simple, so simple. What’s important is what it says about human beings, about their ever-renewed capacity to destroy, to tear to pieces. And then, on a pile of rubble, a work of art is born. It’s as beautiful as a field of ruins.
The stage had become a playground for all the human dimensions: friendship, love, group behavior, and the pleasure of being together. The show was like a moment of grace, even a fusion with a very enthusiastic audience who applauded them warmly.
Being able to connect with the innocence, beauty and courage of childhood is a truly precious experience.
The couple work in perfect harmony and end up combining their skills in an artistic and beautiful way.
The whole show is a refreshing and uplifting cool breeze, a spritzer for the soul.
The performance was a wonderful and entertaining experience with incredible feats of acrobatics, juggling and coordinated skills.
La compagnie
Cie Scratch [Be]
La compagnie Scratch est née en 2013. L’univers de la compagnie se base sur le jonglage, le scratch, les chorégraphies idiotes, les anticlimax et le surréalisme belge. La manipulation d’objets est au centre des recherches de la compagnie. L’équipe artistique de la compagnie Scratch est composée de 9 jongleurs et 1 jongleuse qui interviennent sur les différentes créations : www.ciescratch.eu
Historiques des créations Scratch : « T.N.T » (2013), « Split » (2017), « Mousse » (2020),
« Akokiya » – création en cours (sortie printemps 2021), « Drache Nationale » – laboratoires en cours (sortie printemps 2023).
